Detail 01
149 dB max SPL
You can put it right on a cranked amp grille or snare head without the capsule distorting.

Independent shopping perspective
Standard-issue cardioid dynamic instrument mic. First choice for snare and guitar cabs, and the mic most engineers already know how to use.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
You can put it right on a cranked amp grille or snare head without the capsule distorting.
Detail 02
Presence lift in the upper mids helps guitar and snare cut. Top end stops short of condenser air.
Detail 03
Rejects what is behind it, so it isolates one source in a loud room and resists feedback.
Detail 04
Works off any mic input, including cheap mixers and portable recorders with no phantom supply.
Detail 05
Slim barrel fits tightly between toms or close to a snare rim where fatter mics will not.
Detail 06
No pad or low-cut on the mic. Handle filtering at the preamp or in the mix.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It includes a mic clip and a case. Buy an XLR cable and a stand separately.
Yes. It is voiced for instruments, but it works on vocals, especially loud and aggressive ones.
No. It is dynamic and needs no phantom, though it does need a real mic preamp for gain.
Same family. The 57 has a small grille for close instrument placement; the 58 adds a ball windscreen for handheld vocals.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.