Detail 01
S90 series
Selmer's classical line. Round chamber and low baffle, which trades brightness for a warm, even sound across the horn.

Independent shopping perspective
Baritone saxophone mouthpiece built for classical and concert playing. For advancing and pro bari players who want a focused, blending tone.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Selmer's classical line. Round chamber and low baffle, which trades brightness for a warm, even sound across the horn.
Detail 02
A moderately close tip opening. More resistance and control, less volume ceiling than wide-open jazz facings.
Detail 03
Warmer and darker than metal. Standard for classical bari and easier on the ears in a small rehearsal room.
Detail 04
Fits baritone sax necks only. It takes a lot more air than alto or tenor pieces.
Detail 05
Professional tier. Cost reflects the hand-finished facing, and nothing else ships in the box.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is on the closer side. That means more resistance and easier control, at the cost of the volume and flexibility a wider facing gives you.
You can, but it is built for classical tone. A close facing and low baffle limit the edge and projection most jazz bari players want.
Standard baritone saxophone reeds. A closer facing typically pairs with a slightly harder reed than a wide-open mouthpiece would.
It fits standard baritone necks. Cork thickness varies between horns, so a tech may need to sand or replace the cork for a proper seal.