Detail 01
C** facing
The medium tip opening in the S80 range. Easier to control with medium-strength reeds than more open facings.
Product detailSKU #1274115060054
Selmer ParisS80 Series Alto Saxophone Mouthpiece C**
1/3
Independent shopping perspective
The Korena take
Selmer Paris S80 alto sax mouthpiece in a C** facing. Hard rubber, medium tip — the standard choice for classical and concert band alto players.
Strong match
Who this is for
- Classical and concert band alto saxophone playing
- Students stepping up from a stock student mouthpiece
- Players who want an even, centered tone across registers
Consider the trade-offs
When to look elsewhere
- Rock, funk, or loud jazz players needing bright edge and volume
- Anyone wanting a wide-open tip for heavy bending and altissimo
- Tenor or soprano players — this is alto only
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
Square chamber
The S80 chamber shape gives a focused, compact core rather than a spread, breathy sound.
Detail 03
Hard rubber
Warmer and darker than metal. Standard for classical playing; also less prone to feeling cold on the lip.
Detail 04
Alto saxophone specific
Bore and chamber are sized for alto. Will not seat correctly or play in tune on tenor or soprano.
Detail 05
$239 price
Professional-tier pricing. This is a step-up purchase, not a spare to keep in the case.
Final check
Know before you order
- 01No ligature or cap included — budget for both if you don't have spares
- 02Reed strength usually shifts when changing mouthpieces; expect to re-test strengths
- 03Check your neck cork thickness; a new mouthpiece may need the cork sanded or greased
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01What reed strength works with a C**?
The medium tip opening suits medium reeds, commonly 2.5 to 3.5 depending on the player. Start near where you are now and adjust from there.
02Is the C** good for jazz?
It can play jazz, but the hard rubber and medium tip lean warm and controlled. Players wanting bright, loud edge usually choose a more open facing.
03How does C** compare to C*?
C** has a slightly larger tip opening than C*, so it takes a bit more air and gives a little more flexibility and volume.
04Will my current ligature fit?
Most standard hard rubber alto ligatures fit, but fit varies by brand. Bring the mouthpiece when trying ligatures if you can.
