Detail 01
Matched pair
The two microphones are selected for closely correlated response and virtually identical sensitivity in stereo recording.

Independent shopping perspective
The black sE7 matched pair gives you two small-diaphragm cardioid condensers selected for closely correlated response and near-identical sensitivity. That pairing supports balanced stereo recording on acoustic guitar, piano, and drums, while each microphone is also presented for vocals, brass, and woodwinds. A switchable 20 dB pad raises maximum SPL handling to 156 dB, and the 80 Hz high-pass filter helps manage excess low end, rumble, and footfall noise when close-miking.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
The two microphones are selected for closely correlated response and virtually identical sensitivity in stereo recording.
Detail 02
Engaging it increases maximum SPL from 136 dB to 156 dB for louder close-miked sources.
Detail 03
It rolls off low-frequency content to address excessive bass, rumble, and footfall noise.
Detail 04
The microphones use a cardioid pickup pattern with consistent behavior across a wide frequency range.
Detail 05
The specified self-noise figure supports detailed capture of quiet sources.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Each pair is selected from hundreds of units for closely correlated performance and virtually identical sensitivity.
Yes. Its switchable 20 dB pad raises maximum SPL handling from 136 dB to 156 dB.
Yes. It has a switchable 80 Hz high-pass filter with a 6 dB-per-octave slope.
It uses 48 V powering according to IEC 61938.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.