Detail 01
Unlacquered brass
No lacquer film damping the body. Slightly more open and immediate response, and the finish will tarnish and patina.

Independent shopping perspective
Unlacquered professional alto sax from P. Mauriat's PMXA-67R line. For advancing players and working pros ready to commit at the top tier.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
No lacquer film damping the body. Slightly more open and immediate response, and the finish will tarnish and patina.
Detail 02
Reads a written C as concert E-flat. Standard for concert band, jazz ensemble and most method books.
Detail 03
Tighter keywork tolerances and better ergonomics than student horns. Less finger effort over a long rehearsal.
Detail 04
P. Mauriat's flagship alto platform. The unlacquered and cognac versions share the same body; the finish is the variable.
Detail 05
Sits above the intermediate Le Bravo. You are paying for the pro body and the raw finish, not extra features.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
There is no lacquer layer on the body, and many players describe unlacquered horns as slightly more open. The difference is subtle next to mouthpiece and reed choice.
Same PMXA-67R professional platform, different finish. The unlacquered version carries a higher price in this line at $4,699 versus $4,379.
No. Unlacquered brass darkens with handling and air exposure. It is a cosmetic change, not corrosion damage to the instrument.
For a serious student heading toward auditions or a music program, it works. For a beginner still learning embouchure, the intermediate Le Bravo makes more sense.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.