Detail 01
7 tip opening
Medium facing. Controllable with common reed strengths and forgiving if your embouchure isn't set up for open tips.

Independent shopping perspective
Metal tenor mouthpiece with a medium 7 tip. A middle-of-the-road jazz piece for players who want warmth with some projection.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Medium facing. Controllable with common reed strengths and forgiving if your embouchure isn't set up for open tips.
Detail 02
Slimmer beak and more core than hard rubber. The same design in metal reads brighter and carries further.
Detail 03
A more traditional chamber and baffle profile — leans warm and round rather than bright and edgy.
Detail 04
Sized for tenor only. Alto and baritone use different shanks and reeds, so there's no crossover.
Detail 05
A 7 pairs with mid-range reed strengths. You won't need to rework your whole setup around it.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's the tip opening. A 7 sits in the middle of the tenor range — open enough for jazz volume, still easy to control.
It's playable at a 7, but it's a serious jazz piece at a serious price. A student is better off on hard rubber first.
One made for metal tenor mouthpieces. Metal pieces are narrower than hard rubber, so a rubber-piece ligature sits loose and won't clamp square.
Not really. It's voiced for jazz — brighter and more projecting than the darker hard rubber pieces used in concert and orchestral settings.