Detail 01
Three-position Clip switch
It offers three clipping styles, including settings described as high-headroom or more compressed and saturated.

Independent shopping perspective
MXR’s Timmy Overdrive puts Paul Cochrane’s circuit into a mini enclosure to conserve pedalboard space while retaining the core character of the rig. Its Clip switch offers three clipping styles, from an always-on sound with substantial headroom for driving an amp’s front end to a more compressed, saturated option. Cut-only Bass and Treble controls refine the signal without boosting frequencies: Bass works before the overdrive stage, while Treble works after it. An LF353 op-amp was selected for high-output, high-gain, hi-fi signal delivery.


Strong match
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
It offers three clipping styles, including settings described as high-headroom or more compressed and saturated.
Detail 02
They remove rather than add frequency content, making clean-boost setup straightforward.
Detail 03
It was selected for high-output, high-gain, hi-fi signal delivery.
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Its cut-only tone controls are described as making it easy to dial in a clean boost.
Bass affects the signal before overdrive, while Treble affects it after overdrive.