Detail 01
Lo-Z (low impedance)
Balanced mic-level wiring. Noise picked up along the run cancels at the input, so long cables stay quiet.

Independent shopping perspective
Four 20-foot low-impedance mic cables for about twelve dollars each. Stage and rehearsal spares for anyone running more than one microphone.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Balanced mic-level wiring. Noise picked up along the run cancels at the input, so long cables stay quiet.
Detail 02
Reaches from a stage position to a nearby snake or mixer. Not enough for front-of-house across a room.
Detail 03
Enough to mic a vocal plus a small drum or amp setup without mixing lengths across the stage.
Detail 04
Entry-level pricing. Expect these to be consumable — replaced rather than repaired when one goes intermittent.
Detail 05
Disappears on a dark stage and against black carpet, which also makes them easy to lose in a case.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Standard low-impedance mics run on balanced mic cable like this, into a mixer or interface mic input.
No. Guitars need a high-impedance instrument cable. A mic cable will not connect or work correctly for that job.
Yes. Balanced mic cable passes 48V phantom from the mixer to a condenser mic normally.
For a mic to a nearby stage box or a compact mixer, yes. For a mixer at the back of a room, no.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.