Detail 01
Lo-Z (low impedance)
Balanced XLR wiring rejects hum over long runs, so 20 feet to the board stays quiet. This is standard mic cable.

Independent shopping perspective
Ten 20-foot low-impedance mic cables. Buy this if you're wiring a stage, rehearsal room, or church and need cable in bulk.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Balanced XLR wiring rejects hum over long runs, so 20 feet to the board stays quiet. This is standard mic cable.
Detail 02
Long enough to reach a stage box from most positions without a big coil of slack underfoot.
Detail 03
About $9 a cable — bulk pricing that makes sense when you're cabling a whole stage rather than one mic.
Detail 04
Disappears against stage floors and cable runs. Consider color-coded tape if you need to trace channels quickly.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. These are balanced XLR mic cables. A guitar needs an unbalanced cable with 1/4" plugs.
For most rooms, yes, if you're running to a stage box or snake head near the kit. A direct run to a back-of-room mixer usually needs more.
They pass balanced mic signal the same way any Lo-Z cable does. For a project studio and live use, they do the job.
Yes. Standard XLR mic cable carries 48V phantom power from your preamp or mixer to the mic.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.