Detail 01
1/4-inch TRS end
Tip-ring-sleeve is a balanced connection, so hum pickup stays low even with the cable near power supplies.

Independent shopping perspective
Three-foot studio cable, 1/4-inch TRS on one end and female XLR on the other. For short patches and running a mic into a 1/4-inch input.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Tip-ring-sleeve is a balanced connection, so hum pickup stays low even with the cable near power supplies.
Detail 02
Accepts a male XLR plug, so it takes signal out of a microphone, preamp, mixer, or interface output.
Detail 03
Patch length. Fine inside a rack or across a desk; too short if the two boxes aren't side by side.
Detail 04
One cable, one signal path. A stereo pair needs two, and multitrack work needs one per channel.
Detail 05
Disappears behind a rack, but gives you no color coding — label both ends if several run together.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. The female XLR accepts a mic's male output. Remember mic level is far quieter than line level, so the 1/4-inch end should feed a preamp or mic input.
Both ends are balanced connectors — XLR and TRS. Run it into a balanced jack and the shield and differential pair work as intended.
It will fit physically, but the ring gets shorted to sleeve and the connection runs unbalanced, losing the noise rejection you paid for.
It's a patch cable for gear sitting next to each other. Short runs keep clutter down inside a rack or on a desk.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.