Detail 01
TRS on one end, female XLR on the other
Balanced throughout. Both connectors carry hot, cold and ground, so noise picked up along the run cancels at the input.

Independent shopping perspective
A 10 ft. studio cable with a 1/4" TRS plug on one end and a female XLR on the other. For balanced runs between recording gear.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Balanced throughout. Both connectors carry hot, cold and ground, so noise picked up along the run cancels at the input.
Detail 02
It mates with a male XLR output — a mic, a preamp out, a DI box. It will not plug into an XLR input jack.
Detail 03
The 1/4" end has two rings. Plugging it into an unbalanced TS jack works but drops the balanced noise rejection.
Detail 04
Sized for desk and rack work. Long enough to reach a monitor beside you, short enough not to pile up behind the desk.
Detail 05
Studio-grade construction. The payoff shows on quiet signals and long sessions, not on anything already loud and distorted.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. The XLR end is female, so it accepts a male XLR output. A microphone's own connector is male and needs a female-to-male mic cable.
Physically yes, and signal will pass. You lose the balanced connection, so you also lose the noise rejection you're paying for.
Yes, if the interface has a 1/4" TRS output and the speaker has a female XLR input. That's the common studio monitor setup.
No. A mic cable is male XLR to female XLR. This converts a balanced 1/4" TRS connection to XLR instead.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.