Detail 01
20-inch diameter
Long decay and a deep, wide wash. Big enough for full-ensemble swells without sounding thin under brass.

Independent shopping perspective
A 20-inch suspended cymbal for orchestral and concert band use, played with mallets. For school and community ensembles needing a proper crash-roll voice.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Long decay and a deep, wide wash. Big enough for full-ensemble swells without sounding thin under brass.
Detail 02
Designed to hang from a stand and be rolled with mallets. Response builds gradually rather than exploding.
Detail 03
Tuned toward a dark, blended wash that sits under an ensemble instead of cutting through it.
Detail 04
One plate, not a pair. Hand-crash parts still need a separate matched set.
Detail 05
Needs a cymbal stand with a felt and sleeve so the plate can vibrate freely.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
You can, but it isn't built for stick attack. A suspended cymbal is voiced for mallet rolls and swells; stick playing gives a washy, unfocused crash.
Medium yarn or cord marimba-style mallets are the standard choice for rolls. Harder mallets give more attack and less blend.
It's the common all-purpose size for concert band and orchestra. Smaller plates speak faster but thin out under a full ensemble.
No. Budget for a cymbal stand with felt washers and a sleeve, or a gooseneck arm if you're mounting it near a timpani setup.