Detail 01
Harmonic minor tuning
Minor scale with a raised seventh degree. That one interval is what produces the Klezmer and Eastern European sound.

Independent shopping perspective
An E minor harmonica in harmonic minor tuning — the raised seventh gives it a Klezmer, Eastern European and Middle Eastern flavor. For players chasing that specific sound.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Minor scale with a raised seventh degree. That one interval is what produces the Klezmer and Eastern European sound.
Detail 02
Natural minor suits minor blues and folk. Harmonic minor's raised seventh is more dramatic and more specific in use.
Detail 03
Lee Oskar labels these by first-position key, so straight harp is E harmonic minor.
Detail 04
Replacement plates are sold separately and bolt on, so one dead reed doesn't retire the harmonica.
Detail 05
Immune to the swelling and cracking that moisture causes in wood combs, and simple to rinse.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Darker and more dramatic than natural minor. The raised seventh creates a wide step near the top of the scale, the sound associated with Klezmer and Eastern European music.
Natural minor for minor blues, folk and rock. Harmonic minor for Klezmer, Balkan and Middle Eastern material where the raised seventh belongs.
Lee Oskar labels harmonic minor harps by first position, so straight harp gives you E harmonic minor.
Not well. The raised seventh clashes with the flat-seventh blues sound. A major diatonic is the right harp for standard blues.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.