Detail 01
Natural Minor tuning
Reeds are retuned so the minor scale sits under the standard breath pattern. Major-harp fingering carries over.

Independent shopping perspective
Harmonica tuned to a natural minor scale in B minor. For players working on minor-key rock, folk and blues material.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Reeds are retuned so the minor scale sits under the standard breath pattern. Major-harp fingering carries over.
Detail 02
Lee Oskar labels natural minors by the key they play in second position, cross-harp. Straight-harp lands elsewhere.
Detail 03
One scale, ten holes, no slide. Notes outside the scale need bending.
Detail 04
Worn or blown reeds are swapped at the plate rather than replacing the whole harmonica.
Detail 05
Cover plate finish only. No effect on tuning, response or tone.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The reeds are retuned to a natural minor scale. You use the same breath patterns you already know, but the notes come out minor.
No. The hole and breath layout matches standard major diatonic, so licks transfer directly. Only the pitches change.
Lee Oskar marks natural minors by their cross-harp key, so a harp labelled B MINOR is intended for playing in B minor.
Not well. The minor third is built into the reeds, so major-key material will sound wrong against the chords.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.