Detail 01
Built-in high-pass and low-pass filters
The high-pass filter trims sub frequencies, while the low-pass filter reduces high-end bleed.

Independent shopping perspective
The LS-608 is an end-address FET condenser microphone built for kick drum and other low-frequency instruments. Its KC608 capsule uses a 17 mm diaphragm and maintains a cardioid pattern down to 50 Hz, while the internal high-pass and low-pass filters let you shape the source before it reaches the console. The compact body and 180-degree swivel mount are designed for inside-kick placement. It runs on 48V phantom power and connects via 3-pin XLR.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The high-pass filter trims sub frequencies, while the low-pass filter reduces high-end bleed.
Detail 02
The capsule retains its focused polar pattern down to 50 Hz.
Detail 03
Specified at 0.5% THD at 1 kHz.
Detail 04
Allows the mounted microphone to be repositioned through 180 degrees.
Detail 05
Defines the stated operating frequency range.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It includes both high-pass and low-pass filters.
It requires 48V phantom power.
A protective Cordura bag is included.
It uses a 3-pin XLR connector.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.