Detail 01
Straight mute
The standard cone-shaped mute. Brightens and thins the tone; it is what plain con sordino markings call for.

Independent shopping perspective
Straight mute for tenor trombone. Basic mute for players who need one for band, orchestra, or practice.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The standard cone-shaped mute. Brightens and thins the tone; it is what plain con sordino markings call for.
Detail 02
Sized for a tenor bell. It will not seat correctly in a bass trombone, euphonium, or small-bore alto.
Detail 03
Corks hold the mute in the bell by friction. They compress with use and eventually need replacing or shimming.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is made for tenor trombone bells. Most standard tenors work. Bass trombones and larger bells need a bass-specific mute.
Yes. Straight mutes typically push pitch sharp. Pull your tuning slide out slightly when playing muted passages and listen carefully.
A straight mute works for some jazz writing, but cup, harmon, and plunger mutes cover most jazz colors. Straight is the ensemble standard.
The corks are worn or too thin. Build them up with cork or thin tape until the mute seats snugly without being forced.