Detail 01
MS designation
Identifies this specific strength variant; no numerical cane-strength equivalence is given.
Product detailSKU #1500000325537
ForestoneHinoki Clarinet Reed MS
1/3
Independent shopping perspective
The Korena take
The Hinoki MS is a clarinet reed built from polypropylene resin and cellulose wood fiber rather than traditional cane, with bamboo accounting for more than half of the fiber content. Its injection-molded construction produces a smooth, uniformly made vamp, balanced both across and along the reed. In use, it is voiced for a clear, solid center with some buzz for carrying power, plus steady intonation and crisp articulation. It also avoids water-logging and climate-related warping.
Strong match
Who this is for
- Clarinet players who want a consistent vamp and balanced reed profile from one reed to another.
- Playing situations that call for a clear center, carrying power, and clean articulation.
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
Classic inverted-U profile
When held to the light, the reed shows the cane-associated inverted-U shape.
Detail 03
Composite material
Its resilience and flexibility are attributed to the resin-and-wood-fiber blend.
Final check
Know before you order
- 01The reed’s useful life varies with the player’s embouchure and how it stresses the reed.
- 02Retire it when its response and vitality begin to fade.
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01Does the Hinoki MS warp with humidity or altitude changes?
The composite material is described as not warping from changes in humidity or altitude.
02What response does it aim for?
It is described as vibrating well while holding a centered sound, with robust, clear character and enough buzz for projection.
03Is the tip profile specified?
Yes. The profile tapers across the tip to 0.1 mm.
