Detail 01
Hydraulic construction
Two plies with a thin oil layer between them. The oil kills overtones, so the note is short and thick.

Independent shopping perspective
A 10-inch black batter head for rack toms. Built for short, fat, controlled notes with little ring. Suits studio and loud stage work.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Two plies with a thin oil layer between them. The oil kills overtones, so the note is short and thick.
Detail 02
The top head you strike. The resonant head under the drum is separate and unchanged by this purchase.
Detail 03
The small rack tom on most kits. Head size follows shell diameter, so measure the shell, not the hoop.
Detail 04
Cosmetic and slightly warmer-feeling than clear, but the oil layer, not the color, does the damping.
Detail 05
Takes hard hitting and lasts longer than a single-ply head, at the cost of stick sensitivity and quiet response.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. The oil layer between plies damps overtones on its own, which is the main reason to choose it over a single-ply head. Most players stop needing moongel.
Yes, if the shell measures 10 inches across. Measure the shell diameter, not the outside of the rim.
It is made as a batter head. Putting a thick two-ply head on the resonant side chokes the drum badly.
Two plies handle heavy sticking better than one. It is a common choice for loud rock and live playing.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.