Detail 01
.38 mm gauge
Very thin. The pick bends across the strings, softening attack and evening out strums, but it gives up definition on single notes.

Independent shopping perspective
A dozen very thin nylon picks. Built for strummers who want the pick to flex and stay quiet in the mix, not for lead playing.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Very thin. The pick bends across the strings, softening attack and evening out strums, but it gives up definition on single notes.
Detail 02
Warmer and quieter than celluloid, with a duller click on string contact. Bends before it breaks.
Detail 03
The familiar wide triangle with a rounded tip — plenty of grip surface, easy to find when you fumble it mid-song.
Detail 04
Thin nylon wears and gets lost fast, so buying twelve at once is realistic rather than excessive.
Detail 05
Easy to spot on a dark stage floor or inside a soundhole.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
If you mostly strum chords, no — the flex is the point. If you play single-note lines or pick hard, go heavier.
One dozen, twelve picks.
Nylon is warmer, quieter against the string and flexes rather than snaps. Celluloid is brighter with a sharper click.
You can, but .38 mm nylon will fold against heavy bass strings. Bass players who use picks generally want something much stiffer.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.