Detail 01
.46 mm
Thin. The pick bends across the strings, which smooths out chord strums and hides uneven picking.

Independent shopping perspective
Twelve thin nylon picks. Flexible, quiet attack, best for strumming chords rather than fast single-note lines.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Thin. The pick bends across the strings, which smooths out chord strums and hides uneven picking.
Detail 02
More flexible and less slippery than hard plastics at the same gauge. Softer edge, quieter contact noise.
Detail 03
The common rounded-triangle shape most players learn on. Wide grip area, moderate point.
Detail 04
Twelve picks. Enough to lose most of them and still have a gig's worth.
Detail 05
Easy to spot on a dark stage floor or inside a soundhole.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Thin picks are forgiving on strumming and take less force, which is why beginners usually start here. Move up if chords feel floppy.
Nylon is more flexible and grips the fingers better. Delrin is stiffer and slicker, with a more defined attack.
Twelve.
Yes, though at .46 mm they suit rhythm and chord work. Single-note lines feel loose against a thin pick.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.