Detail 01
16.50 mm cup diameter
Medium size in this range. Smaller than the 3 at 16.75 mm, larger than the 5 at 16 mm.
Product detailSKU #1274228080905
Denis WickDW4882 Classic Series Trumpet Mouthpiece in Gold 4X
1/2
Independent shopping perspective
The Korena take
A gold-plated 4X trumpet mouthpiece: 16.50 mm cup, extra-wide 5.75 mm cushion rim, V-type backbore. Built for jazz players wanting comfort and upper-register reach.
Strong match
Who this is for
- Lead and jazz playing where the high register matters
- Long sets where rim comfort decides how you finish
- Players already on a Denis Wick 4 wanting a wider rim
Consider the trade-offs
When to look elsewhere
- Symphonic players wanting a large 1 or 1X cup diameter
- Beginners — the 4B is the easier starting point in this line
- Anyone who prefers a narrow rim for flexibility and slotting feel
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
5.75 mm cushion rim
Wide and rounded. Spreads pressure over more lip area, which helps endurance but reduces flexibility.
Detail 03
V-type backbore
Compared with the barrel backbore on the 4 and 4C, it favours projection and easier high notes.
Detail 04
3.70 mm throat
Standard for most of this line. Controls airflow resistance and how the sound holds together when pushed.
Detail 05
Gold plating
Feels slightly slicker and warmer on the lip than silver. Also an option if silver irritates your skin.
Final check
Know before you order
- 01Mouthpiece only — no case, pouch or brush included
- 02Rim size changes embouchure; allow adjustment time before a gig
- 03Gold plate wears through with use; it is a finish, not a permanent layer
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01What is the difference between the 4X and the 4?
The 4X has a wider 5.75 mm cushion rim and a V-type backbore. The 4 has a 5.18 mm rim and barrel backbore, with a stabler pitch centre.
02Is this good for classical playing?
It is aimed at jazz work. For symphonic playing the larger 1, 1X or 1C cup diameters in this line suit better.
03Will the wide rim help my endurance?
A wider rim spreads pressure across more lip, which typically helps on long sets. The trade-off is less flexibility than a narrow rim.
04Does gold plating change the sound?
The difference players report is mostly in feel — slicker and warmer on the lip. Cup, rim and backbore drive the sound.
Reference
Full specifications
The complete catalog record, organized around the decisions musicians make when comparing gear.
1 detailsPlayability
- Neck Shape
- V
1 detailsBody & build
- Color
- Gold
18 detailsOther
- 1
- 17.25 mm cup diameter; 5 mm rim width; 3.90 mm throat; Barrel backbore. Large mouthpiece ideal for symphonic playing. Large, open sound with excellent flexibility.
- 3
- 16.75 mm cup diameter; 5.05 mm rim width; 3.70 mm throat; Barrel backbore. Warm, dark sound with excellent flexibility. Good all-around mouthpiece.
- 4
- 16.50 mm cup diameter; 5.18 mm rim width; 3.70 mm throat, Barrel backbore. Stable center of pitch and warm, dark sound. Good all-around mouthpiece.
- 5
- 16 mm cup diameter; 5.30 mm rim width; 3.70 mm throat, Barrel backbore. Warm sound with good response and stability in all registers. Traditional French cup for jazz and light music players.
- 5x
- 16 mm cup diameter; 6 mm rim width; 3.70 mm throat; V-type backbore. Added comfort from extra wide cushion rim. Excellent projection and focus in the high register. Great jazz mouthpiece.
- 4x
- 16.50 mm cup diameter; 5.75 mm rim width; 3.70 mm throat, V-type backbore. Extremely comfortable cushion rim with excellent projection and stability with easily attainable high register. Great for jazz work.
- 2w
- 17 mm cup diameter; 5.50 mm rim width; 3.7 mm throat; Barrel backbore. Perfect balance of tonal depth and brilliant overtones with increased endurance from a wider rim. Scintillating high register.
- 3cv
- 16.75 mm cup diameter; 5.50 mm rim width; 3.80 mm throat; Barrel backbore. Beautiful depth of tone with brilliant high register. Developed specially for the Eb trumpet; ideal for the Haydn and Hummel Concertos. Paul Archibald inspired model.
- 1x
- 17.50 mm cup diameter; 5.23 rim width; 3.90 mm throat; Barrel backbore. Extra-large symphonic style mouthpiece based on the Wallace 1870 F trumpet. Resonant high register and extra wide rim for added comfort.
- 1 5c
- 17 mm cup diameter; 5 mm rim width; 3.80 mm throat; Barrel backbore. Slightly wider rim to add extra stability and comfort. More brilliant and flexible.
- 1 25cv
- 16.75 mm cup diameter; 5.40 mm rim width; 3.80 mm v; Open backbore. Very warm sound with excellent endurance. The V-shaped cup gives a dark tone suitable for Mahler and Bruckner. Paul Archibald inspired model.
- 4b
- 16.50 mm cup diameter; 5.18 mm rim width; 3.70 mm throat; Barrel backbore. Perfect for beginners. Has a warm tone and plays very easy. All-around mouthpiece with great flexibility.
- 4c
- 16.50 mm cup diameter; 5.18 mm rim width; 3.70 mm throat, Barrel backbore. Harmonically rich tone with a strong center of pitch. All-around mouthpiece with great high register.
- 3c
- 16.75 mm cup diameter; 5.05 mm rim width; 3.70 mm throat; Barrel backbore. Free blowing feel with warm sound and excellent response. Brilliant high register well-suited for Bb, C, D and Eb trumpets
- 5e
- 16 mm cup diameter; 5.30 mm rim width; 3.70 mm throat; V-type backbore. Upper register plays easily with a bright, crisp sound. The ultimate ‘screamer’ mouthpiece.
- 4e
- 16.50 mm cup diameter; 5.18 mm rim width; 3.70 mm throat; V-type backbore. Plays easily into the upper register with a bright tone. Great for jazz work.
- 3e
- 16.75 mm cup diameter; 5.05 mm rim width; 3.80 mm throat; Barrel backbore. Excellent projection with a bright, crisp sound. Very successful "screamer" jazz mouthpiece.
- 1c
- 17.25 mm cup diameter; 5 mm rim width; 3.90 mm throat; Barrel backbore. Similar to the model 1, but easier to play and more flexible. Better focus in the upper register.
