Detail 01
Medium shank
A fit spec, not a sound spec. It matches pre-1974 B&H and Willson receivers. Everything else is the wrong taper.

Independent shopping perspective
Medium-shank euphonium mouthpiece, 26mm cup with a barrel backbore. Built to fit pre-1974 B&H and Willson horns — confirm your receiver before ordering.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
A fit spec, not a sound spec. It matches pre-1974 B&H and Willson receivers. Everything else is the wrong taper.
Detail 02
Large for euphonium. More lip inside the cup means fuller low notes, but it asks more of your endurance.
Detail 03
Wide rim. Spreads pressure across the lip, which helps through long rehearsals but costs some flexibility.
Detail 04
Open throat. Moves plenty of air for volume and low-register body, and needs real breath support to stay centered.
Detail 05
Denis Wick uses this shape on their fuller, darker models. Expect body and warmth rather than edge.
Detail 06
Smoother and warmer on the lip than silver. Mainly a comfort choice, and useful if silver irritates your skin.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Not if it's a USA or Japanese instrument — those take the large-shank 4AY, which has the same 26mm cup and rim. The 4AM is for pre-1974 B&H and Willson receivers.
Cup diameter, rim width and throat are identical. The 4AM is medium shank with a barrel backbore; the 4AY is USA large shank with a medium backbore. Pick by receiver.
The 4AM has a 26mm cup, open sound and focused lows. The 6BM is smaller at 25.40mm with a medium backbore and a clearer high register — easier on endurance up top.
No. The medium shank won't seat in a trombone receiver. Denis Wick's 4AL is the large-shank version of this cup, described as a euphonium model that also suits powerful trombonists.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.