Detail 01
8 channels
Eight inputs from one box. A typical small band with drums and vocals fills this quickly.

Independent shopping perspective
An eight-channel breakout with female XLR connections for D'Addario's modular snake system. Sits at the stage end where microphones plug in.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Eight inputs from one box. A typical small band with drums and vocals fills this quickly.
Detail 02
Accepts mic cables coming from microphones and DIs. This is the stage-side end of the run.
Detail 03
Converts the modular core cable into individual XLR connections. Needs a core cable to do anything.
Detail 04
If one breakout gets crushed on stage, you replace that piece instead of the entire snake.
Detail 05
Stays visually quiet on a dark stage floor and does not show wear as fast.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
You need a breakout at each end of the core cable. Most rigs pair a female-XLR box at the stage with a male-XLR box at the console.
No. It has no cable run of its own. It converts a modular core cable into eight individual XLR connections.
Yes, anything with a standard XLR output plugs in — mics, DI boxes, or line-level sources feeding the run.
Run a second core cable and breakout pair. Each eight-channel box handles its own trunk line.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.