Detail 01
Hybrid lathing
Unlathed raw sections stay dry and defined; lathed sections add wash. You get two voices depending where you strike.

Independent shopping perspective
A 20-inch ride with an unlathed bell and inner section against a lathed outer edge, giving stick definition and trashy crash in one cymbal.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Unlathed raw sections stay dry and defined; lathed sections add wash. You get two voices depending where you strike.
Detail 02
The standard ride size. Enough surface for clear ping and enough weight to crash without folding.
Detail 03
Zildjian's darker, hand-hammered pro line. Warmer and more complex than the brighter A series.
Detail 04
Unlathed bell cuts hard and dry. Bell patterns punch through a loud band instead of blending in.
Detail 05
Thin enough at the edge to open up when you crash it, so it doubles as your main crash.
Detail 06
Professional-tier pricing. Hand-hammered B20 bronze, not a stamped student cymbal.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. That is the design intent — it rides with definition and crashes when you hit the edge, so a one-ride setup works.
For traditional jazz, likely. The raw sections give a dry, gritty character rather than the smooth dark wash most jazz rides aim for.
Drier and more cutting. The unlathed inner area and bell add definition and grit that a fully lathed K does not have.
No. The raw bell and dry ping are specifically built to cut through volume where a washier ride would disappear.