Detail 01
Medium light weight
Thinner plate speaks quickly and responds at soft dynamics. Trade-off is less top volume and less tolerance for hard crashing.

Independent shopping perspective
Matched pair of 18-inch medium-light orchestral crash cymbals. For concert and orchestral percussionists who need controlled, blending crashes.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Thinner plate speaks quickly and responds at soft dynamics. Trade-off is less top volume and less tolerance for hard crashing.
Detail 02
Middle-of-the-road concert size. Enough body for full crashes, still controllable for one player to handle repeatedly.
Detail 03
Voiced to blend into an ensemble rather than cut through it, with a darker, more even spread.
Detail 04
Two cymbals selected to work together. Hand crashed, not stand mounted.
Detail 05
Struck against each other rather than with a stick, so technique and dampening against the body control the sound.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Medium light favors soft, quick, blended crashes and works well in most concert band writing. Step up in weight if your group plays loud, brass-heavy repertoire regularly.
Not recommended. Medium light plates are thin and marching crashes are hard and repetitive. Marching-specific pairs use heavier metal to survive that.
Yes, hand cymbals require leather straps and usually pads. These are typically bought separately, so plan for them before your first rehearsal.
Hand cymbals are drilled for straps and voiced to be crashed together. You can rest one on a suspended stand for rolls, but they are not designed as kit crashes.