Detail 01
Baroque fingering
Also called English fingering. The standard for serious repertoire — chromatics play in tune, at the cost of a harder F.

Independent shopping perspective
A full-size bass recorder with baroque fingering, built for consort and ensemble work rather than casual practice. For serious recorder players, not first-timers.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Also called English fingering. The standard for serious repertoire — chromatics play in tune, at the cost of a harder F.
Detail 02
Sits an octave below the alto, in F. It covers the bottom line in a consort where soprano and alto sit on top.
Detail 03
Yamaha's upper tier rather than the school-band grade, so voicing and tuning are held to tighter tolerances.
Detail 04
The B suffix marks baroque fingering. A German-fingered version of the same body would carry a different suffix.
Detail 05
Bass recorder money, several times a tenor. The size and keywork account for most of that jump.
Detail 06
Long body and a wide finger stretch. Reaching the lower holes is the main physical hurdle coming from tenor.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Baroque, or English, fingering is the standard for real repertoire and plays chromatics in tune. German fingering makes F easier for absolute beginners but throws off other notes.
Not ideally. The stretch is long, the air requirement is higher, and most method books assume soprano or alto. Start smaller and move down.
F, an octave below the alto. In a consort it takes the lowest line under soprano, alto and tenor.
Most players want one. A bass is heavy enough that supporting it by hand through a rehearsal gets tiring, so a floor peg or neck strap helps.