Detail 01
Rawhide-style hammer head
Meant to bring out chime fundamental without the metallic clang a bare stick produces on the tube cap.

Independent shopping perspective
A single hard-cored beater for striking orchestral chimes. For percussionists who play tubular bells and need the standard implement for that instrument.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Meant to bring out chime fundamental without the metallic clang a bare stick produces on the tube cap.
Detail 02
Weight sits well forward of the grip. You drop it onto the cap rather than stroke through.
Detail 03
Vic Firth's concert percussion family, sized and weighted for orchestral volume rather than practice-room use.
Detail 04
Chimes are struck with one hammer. There is no matched pair to buy, and no left-hand equivalent.
Detail 05
Priced as a specialty concert tool, not a consumable. Expect it to last seasons with normal use.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Standard chime technique uses one hammer, struck on the cap at the top of the tube. Two-hammer parts are rare and would need a second purchase.
You can, but a bare stick tip emphasizes the metallic attack over the pitch. A chime hammer pulls out more of the note itself.
No. It is far too heavy and the wrong head for bar percussion. Use keyboard mallets sized for those instruments.
On the metal cap at the top of the tube, not the tube body. That is what this hammer's head shape and weight are built for.