Detail 01
Felt heads
Softer contact spreads the attack and pulls out low end. Less click, more body than a plastic or nylon tip.

Independent shopping perspective
Felt-headed multi-tenor mallets from Vic Firth's Corpsmaster line, designed with Tom Aungst. For marching tenor players who need a warm, controlled attack.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Softer contact spreads the attack and pulls out low end. Less click, more body than a plastic or nylon tip.
Detail 02
Built to cover more than one sound within a tenor book, so you swap implements less often mid-show.
Detail 03
Weight and balance are set for sweeping across a drum arc, not for staying on one head.
Detail 04
Vic Firth's marching-percussion series, built for outdoor volume and the abuse of a competitive season.
Detail 05
Spec'd with Tom Aungst, so the balance point reflects one player's preference rather than a neutral average.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
You can, but they are built for marching tenors. On a kit the balance will feel long and the felt will muffle cymbals rather than articulate them.
They are gentler than a wood or plastic tip because the contact area is wider and softer, which spreads the impact instead of concentrating it in one point.
Felt trades attack clarity for warmth and volume in the low end. Standard tenor sticks give you a defined click that cuts on fast passages.
A pair. Tenor players typically carry several implement types for one show, so budget for more than a single pair across a season.