Detail 01
Cup mute (not straight)
The cup over the bell rounds off the edge, so the sound is soft and covered rather than nasal and cutting.

Independent shopping perspective
A cup mute for tenor trombone. For players who need a soft, muffled sound for section work, big band charts, or quiet practice.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The cup over the bell rounds off the edge, so the sound is soft and covered rather than nasal and cutting.
Detail 02
Fit depends on your bell throat, not just the brand. Corks compress over time and can be sanded or built up.
Detail 03
Not interchangeable with trumpet or euphonium mutes. Bore and bell size determine whether it seats securely.
Detail 04
Playing muted feels stuffier than open. Intonation shifts slightly, most often in the low register.
Detail 05
Mid-range for a cup mute. Above student plastic mutes, below multi-mute setups or adjustable-cup models.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is sized for trombone bells, but bass trombone bells are typically larger. Try it on your own horn before committing, and check that the corks seat firmly without wobbling.
Enough to sit under a section and to be less disruptive at home, but it is not a practice mute. Expect a softened, covered tone rather than near-silence.
Yes, slightly. Muted playing adds resistance and can pull certain notes, most noticeably low ones. Adjust with the slide as you would with any mute.
Depends on the chart. Straight is bright and cutting, cup is soft and blended. Most big band books call for both, so many players own each.