Detail 01
Flatwound
Smooth outer winding. Darker, thumpier tone, almost no finger squeak, and easier on frets and fingerboards than rounds.

Independent shopping perspective
Five-string long-scale flatwound set from Thomastik's Jazz line. For players who want a smooth, dark thump and low finger noise on a five-string.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Smooth outer winding. Darker, thumpier tone, almost no finger squeak, and easier on frets and fingerboards than rounds.
Detail 02
Includes a low B. Requires a five-string nut, bridge and tuner layout.
Detail 03
Cut for roughly 34 inch scale so the silk and taper land correctly at nut and bridge.
Detail 04
Voiced toward the mellow, mid-focused end rather than bright attack.
Detail 05
Well above a standard roundwound set. Flats hold their tone far longer, so changes are less frequent.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, and they are a common choice for fretless. The smooth winding is much gentler on an unfretted fingerboard than roundwounds.
Far longer than roundwounds. Flats settle into their tone and stay there rather than dying, so many players run one set for years.
Check the string length against your bass. These are cut long scale, around 34 inch, so a 35 inch instrument may leave the low B short at the post.
Yes. Flats generally feel stiffer under the fingers. Plan on checking neck relief and intonation after the change.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.