Detail 01
Set of 5
Gives you a descending five-note run, which is what most written temple block parts assume.

Independent shopping perspective
A five-piece set of open-tone temple blocks for percussionists who need tuned wooden-block pitches in orchestral, band or theater work.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Gives you a descending five-note run, which is what most written temple block parts assume.
Detail 02
The slit is cut for more resonance and sustain than a closed jam block, so notes ring rather than click.
Detail 03
Blocks are sized largest to smallest; pitch relationships are fixed and not adjustable.
Detail 04
Struck with mallets or sticks, not hands. Mallet hardness changes the attack more than anything else.
Detail 05
You are paying for matched, graduated pitches across five blocks, not five identical blocks.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Five is the common set size and covers most written temple block parts. Smaller sets force you to reassign notes.
Medium to hard rubber or plastic mallets are typical. Softer yarn mallets pull out warmth at the cost of attack clarity.
Physically possible with the right hardware, but a five-block set is large. Kit players usually want a single block instead.
Open tone blocks ring and carry definite pitch. Jam blocks are shorter, drier and used for a single percussive click.