Detail 01
Three 12AX7A tubes
Tube gain stages thicken harmonics as level rises, so the box colors the sound even with bands flat.

Independent shopping perspective
Two-channel tube program equalizer for mixing and mastering. For engineers who want broad, musical tone shaping on stereo material, stems or sources going to tape.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Tube gain stages thicken harmonics as level rises, so the box colors the sound even with bands flat.
Detail 02
Drives long cable runs and 600-ohm loads without thinning out, so it plays well with older outboard.
Detail 03
Bandwidth reaches far past hearing, which keeps phase shift at the band edges out of the audible range.
Detail 04
High in, low out. It sits anywhere in a patchbay without loading down whatever feeds it.
Detail 05
Roughly 21 dB above nominal +4, so large boosts don't run the output stage out of room.
Detail 06
Two rack spaces, and it needs over ten inches behind the rails plus clearance for cables.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's a dual program design — two channels. Use them together on a stereo bus or independently as two mono EQs.
Two spaces. The panel is 19 by 3.5 inches and it runs 10.5 inches deep at 18 pounds, so rear support helps.
Power is specified as 35 watts at 115 VAC, 50 or 60 Hz, with a 230 VAC fuse value also given. Confirm the voltage setting before ordering.
The output works balanced or unbalanced and wants a 600-ohm or higher load. The input is electronically balanced at 20k ohms.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.