Detail 01
Deep bass range
Lowest voice in the Orff family. Long, wide bars and low pitch that sits under everything else.

Independent shopping perspective
Floor-standing deep bass xylophone for Orff classroom work. Wooden bars, diatonic, bottom of the Orff range. A program purchase for schools building a full set.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Lowest voice in the Orff family. Long, wide bars and low pitch that sits under everything else.
Detail 02
Warm and percussive with a short decay. Moving bass lines stay articulate instead of blurring together.
Detail 03
A plain major scale with no accidentals. Students can't land on a wrong note in the key.
Detail 04
Bar layout and pitch match the rest of the Orff family, so it drops into an existing set.
Detail 05
Institutional tier. This is a budgeted program purchase, not a casual classroom add-on.
Detail 06
Tone swings hard on mallet choice. Softer heads pull the low fundamental out of big bass bars.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Wooden bars are dry and percussive with a short decay. Metal bars ring long. Wood keeps a moving bass line clear; metal fills space but can smear fast patterns.
Not as it stands. It's diatonic, so the bars give you a plain major scale. Adding accidental bars is what opens up other keys.
Yes, that's the point of the diatonic layout — beginners can improvise without hitting a wrong note. The price makes it a school purchase rather than a home one.
Heavier, softer heads. Big wooden bass bars need weight behind the stroke to speak, and a soft head brings out the low fundamental instead of a click.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.