Detail 01
66dB of gain
Enough headroom to drive quiet ribbon and dynamic mics that stall out on typical interface preamps.

Independent shopping perspective
500 Series module combining a mic preamp, instrument DI, and compressor. For anyone building a channel strip in a lunchbox rack.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Enough headroom to drive quiet ribbon and dynamic mics that stall out on typical interface preamps.
Detail 02
Noise floor stays under the mic's own hiss even at high gain, so quiet sources stay clean.
Detail 03
Deliberately raises second-harmonic distortion to about 0.2%, adding warmth and thickness instead of staying clinically flat.
Detail 04
Bandwidth extends far past hearing. Phase behavior in the audible top end stays linear, which reads as openness.
Detail 05
Hot output level. You can drive converters hard without clipping the module itself.
Detail 06
Runs condenser mics directly. No separate phantom supply needed in the signal path.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It's a module, not a standalone box. It has no power supply or enclosure of its own and must be installed in a 500 Series chassis.
Yes. It includes a DI input, so you can record bass or guitar direct and compress it in the same module.
It adds second-harmonic distortion, around 0.2%, instead of the near-zero figure the module hits normally. Used to warm up sources that sound too clean.
Yes. It supplies +48V phantom power within 1%, so standard condensers run directly from the module.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.