Detail 01
Boompole, not a boom arm
Held by an operator, not clamped to a desk. Needs a second person on most shoots.

Independent shopping perspective
Handheld boom pole for suspending a shotgun mic on location or in a studio. For anyone recording dialogue or foley off-camera.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Held by an operator, not clamped to a desk. Needs a second person on most shoots.
Detail 02
You supply the microphone and, in practice, a suspension mount to isolate handling noise.
Detail 03
Accepts common shotgun mics and shockmounts directly, so it fits most location kits.
Detail 04
Not internally wired. Tape or clip the XLR along the pole to stop it slapping and adding noise.
Detail 05
Extend only what you need. Shorter extension means less flex and less operator fatigue on long takes.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. The boompole is sold on its own. You supply the shotgun mic, a shockmount to suspend it, and an XLR cable long enough to run the length of the pole.
No. Run your XLR along the outside of the pole and secure it with tape or clips so it doesn't tap the tube during takes.
Yes, with a boompole holder or grip head. It's designed to be handheld, so a stand adapter is a separate purchase.
It takes standard mic-threaded mics and shockmounts. Heavier mics are harder to hold steady at full extension, so keep the load light.
Reference
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