Detail 01
Full attack and release controls
You set how fast it clamps and lets go. Slow attack keeps pick and slap transients audible.

Independent shopping perspective
A studio-grade bass compressor with full manual control over attack, release, ratio and both gain stages. For players who want to shape compression, not just add it.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
You set how fast it clamps and lets go. Slow attack keeps pick and slap transients audible.
Detail 02
Low ratios smooth playing dynamics; high ratios act more like a limiter for peak control.
Detail 03
Drive the detector harder with input, then match your bypass volume with output. No level jump when engaged.
Detail 04
Handles low-frequency energy without the pumping a guitar compressor shows on open E notes.
Detail 05
Rack-style control in a pedalboard footprint, but the knob spacing is tight for onstage tweaks.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Different. You get attack, release and ratio control instead of a preset curve, which means better results once dialed in and worse results if you rush it.
Most bass players put a compressor early, right after the bass, so it sees the raw dynamic range before any dirt or filter pedals alter it.
You can, but it is voiced for bass frequencies. A guitar-specific compressor will suit six-string dynamics better.
Set it by ear: raise input until peaks feel controlled, then match output to your bypassed volume.