Detail 01
Mid control: ±16dB, sweepable 200Hz–5kHz
You pick which midrange gets cut or boosted. This is what separates a scooped tone from a cutting one.

Independent shopping perspective
High-gain distortion with a built-in noise gate and three-band EQ. Aimed at players chasing tight, scooped or midrange-forward metal tones.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
You pick which midrange gets cut or boosted. This is what separates a scooped tone from a cutting one.
Detail 02
Adjusts low-end weight without touching low mids, so you can add thump and stay tight.
Detail 03
A shelf lifts everything above the point, not a narrow band. Controls pick attack and overall bite.
Detail 04
The gate cuts hum hard when you stop playing. High-gain rigs are noisy at rest; this handles it.
Detail 05
Signal passes untouched when off. No tone loss from leaving it on the board.
Detail 06
More than a basic analog pedal. Check your power supply has headroom on that output.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Usually not. The gate is built in and voiced for this pedal's gain level, which is where most of the noise comes from.
Yes, that is the intended use. The three-band EQ lets you shape the tone at the pedal rather than relying on the amp.
It is voiced for high gain. Backing off gets you less saturation, but the character stays aggressive rather than turning into a mild overdrive.
It moves the mid EQ's center anywhere from 200Hz to 5kHz, then cuts or boosts up to 16dB there. Scoop the mids or push them forward.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.