Detail 01
Foam construction
Open-cell foam slows moving air before it reaches the capsule, which is what kills wind rumble and plosives.

Independent shopping perspective
Black foam windscreen for a microphone. Buy it to cut wind noise and breath pops on a mic you already own.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Open-cell foam slows moving air before it reaches the capsule, which is what kills wind rumble and plosives.
Detail 02
Disappears on stage under lights and on camera, unlike colored foam used for channel labeling.
Detail 03
Cheap enough to buy several and replace them when they tear or get grimy.
Detail 04
It pushes over the mic head, so nothing mounts to your stand and nothing blocks the singer.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It fits typical handheld mic heads. Measure the ball diameter of your mic and compare before ordering, especially for slim or shotgun mics.
A little. Foam can take a small amount of high-frequency edge off. Most people trade that for losing wind and pop noise.
A mounted pop filter usually controls plosives better in a studio. Foam is for handheld and outdoor use where a filter is impractical.
Foam windscreens are consumables. When one gets dirty or torn, replacing it is cheaper than fussing with it.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.