Detail 01
Thin
Opens fast and washes early. Very responsive to a light touch, but it saturates and loses definition when you dig in.

Independent shopping perspective
A thin 14 in. hi-hat pair voiced for low-volume playing. For jazz, brush work, and quiet rooms where a heavy hat overwhelms everything.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Opens fast and washes early. Very responsive to a light touch, but it saturates and loses definition when you dig in.
Detail 02
Tuned darker and lower in volume ceiling. Blends behind an upright bass instead of sitting on top of the band.
Detail 03
Fully lathed and polished, so it reads a little brighter and more open than an unlathed raw-finish cymbal.
Detail 04
The standard hi-hat size. Balances a clear closed chick against enough surface for a usable open wash.
Detail 05
Top and bottom together, matched. No separate purchase needed to complete the hat.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Not well. A thin jazz hat washes out and risks cracking at rock volume. Look at a medium or heavy hi-hat for that.
For small jazz rooms, yes. For a loud stage, no — the low volume ceiling is the point of this cymbal, not a flaw.
Thin, low-volume hats respond well to brushes. Light contact still produces a defined chick and a soft open wash.
Two — a matched top and bottom hi-hat pair, 14 in. each. You only need to add a hi-hat stand.