Detail 01
Talking drum
Squeezing the cords under your arm raises and drops the pitch mid-stroke. That bend is the whole point of the instrument.

Independent shopping perspective
A large hourglass talking drum with tension cords, played under the arm. For hand percussionists who want pitch bending, not a fixed-pitch drum.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Squeezing the cords under your arm raises and drops the pitch mid-stroke. That bend is the whole point of the instrument.
Detail 02
Two heads joined by tension cords along the waist, which is what makes the squeeze work. It is not a single-head drum.
Detail 03
Deeper, lower voice and more pitch range than a small talking drum, at the cost of more weight under the arm.
Detail 04
You carry the weight while you play, so long sets are physical. Standing and moving is normal for this drum.
Detail 05
Entry-tier pricing for a large hand drum — expect a playable instrument rather than a hand-built ensemble piece.
Detail 06
Traditional decorative finish. It shows scuffs from the arm and cords with regular playing.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Cords run between the two heads. Squeezing them against your body tightens the heads and raises the pitch; releasing drops it, all within a single stroke.
Traditionally with a curved beater in one hand while the other hand and arm control the cords. Some players add hand strokes.
It is playable early, but pitch control takes practice. A djembe or bongo is easier if you want quick results.
It is built to hang under the arm with a strap so you can work the cords. A stand defeats the pitch-bending technique.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.