Detail 01
Abalone inlay dot
The dot is shell rather than plastic, so it shifts color under light instead of sitting flat white.

Independent shopping perspective
White bridge and end pin set with abalone inlay dots, for acoustics with pin bridges. A cosmetic upgrade over plain black pins.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The dot is shell rather than plastic, so it shifts color under light instead of sitting flat white.
Detail 02
High contrast against a dark rosewood or ebony bridge; the pins become a visual feature, not a hidden part.
Detail 03
The tail pin matches the bridge pins, so the guitar reads as one intentional set front to back.
Detail 04
Drops into the usual pin-bridge hole. Reamed or non-standard bridges may need fitting.
Detail 05
The premium is the shell inlay and white body. Function is the same as a plain pin.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The inlay dots are abalone, so each one has its own color pattern. Expect slight variation between pins rather than uniform dots.
A full set of bridge pins for a six-string acoustic plus the matching end pin at the tail.
They use the standard bridge pin taper found on most steel-string acoustics. Guitars with reamed or oversized holes may need the pins fitted.
No meaningful difference. This is a cosmetic swap — the abalone dot and white body change the look, not the tone.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.