Detail 01
One-handed design
The holder is part of the instrument, so your other hand stays free for a stick or shaker.

Independent shopping perspective
A single-hand triangle from LP with an integrated holder, so one player can strike it without a separate stand or free hand. For percussionists and kit players adding accent parts.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The holder is part of the instrument, so your other hand stays free for a stick or shaker.
Detail 02
Open-ended bar rings long and cuts through a mix; you damp it with your grip hand to stop the tail.
Detail 03
Entry-level pricing, so expect a workable ring rather than concert-hall tuning and overtone control.
Detail 04
Standard hardware sizing across the LP line, so it sits alongside other LP accessories without adapters.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. The whole point of the one-handed design is that the triangle and its holder are one unit, so you play it with a single hand and keep the other free.
Confirm at purchase. Any standard steel triangle beater works if you need to buy one separately.
Close your fingers against the bar with your holding hand. There is no separate damper mechanism.
It's aimed at kit and hand-percussion players who need one-handed access. Concert players usually want a suspended triangle on a clip and holder.