Detail 01
Nine sound engines and over 2,200 preset sounds
Provides a broad onboard sound collection across multiple synthesis and instrument categories.
Product detailSKU #1500000334215
KORGNAUTILUS Music Workstation - 88 Key
balancedversatilepopelectronic
1/6
Independent shopping perspective
The Korena take
KORG’s 88-key NAUTILUS is a music workstation that combines nine onboard sound engines with more than 2,200 preset sounds. It covers piano, electric piano, organ, analog-modeling, physical-modeling, and digital-synthesis work while also supporting sampling, sequencing, and audio recording. The 7-inch TouchView display, six real-time knobs, and four programmable knob templates keep key controls accessible during a performance or production session. For arranging complete songs, it provides a 16-track MIDI sequencer, 16-track audio recorder, Set List mode, seamless sound transitions, and USB/MIDI connectivity.
Strong match
Who this is for
- Building complete songs with 16 MIDI tracks, 16 audio tracks, sampling, and onboard recording.
- Organizing live programs and combinations through Set List mode and seamless sound transitions.
- Controlling external keyboards, modules, and DAWs through USB and MIDI connections.
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
16-track MIDI sequencer plus 16-track audio recorder
Supports sequencing and audio production within the workstation.
Detail 03
7-inch color TouchView display
Provides graphical interfaces for the sound engines and operating modes.
Detail 04
Six real-time knobs; four programmable templates
Lets you access controls such as filter cutoff, effect depth, and arpeggiator tempo, with configurable setups.
Detail 05
USB and MIDI connectivity
Supports connection with external keyboards, modules, and DAWs.
Final check
Know before you order
- 01Includes an AC cord and Quick Start Guide.
- 02The 88-key version measures 56.57 by 15.24 by 5.47 inches and weighs 88 pounds.
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01How many preset sounds are onboard?
The NAUTILUS includes over 2,200 preset sounds.
02Can it record audio?
Yes. It has a 16-track audio recorder with four-track simultaneous recording.
03Can I organize sounds for a live set?
Yes. Set List mode organizes programs and combinations, and the workstation supports seamless sound transitions.
04What comes with it?
An AC cord and Quick Start Guide are included.
Reference
Full specifications
The complete catalog record, organized around the decisions musicians make when comparing gear.
11 detailsSound
- Master Effects
- 2 stereo in/stereo out
- Frequency Response
- 20Hz–22kHz, +/-1dB, 10 kohm load
- Internal Effects
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Insert Effects
- 12, stereo in/stereo out
- Source Impedance
- 600 ohm
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
- EQ
- Three bands with sweepable mid
- Effects
- Integrated Polysix Chorus, Phaser and Ensemble
- Effect Types
- 197
- Tonewheel Organ Modeling
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- Total Effects
- 2 stereo in/stereo out
8 detailsPickups & controls
- Manual Controller
- Control Wheel Out, Momentary Switch
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc.
- Panel Control
- Tine Type - Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive) Reed Type - Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
- Controllers
- Joystick, Switches 1 & 2
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Control Inputs
- Damper pedal (half damper supported), assignable switch, assignable pedal
- Oscillator Control
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Arpeggiator Control
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
6 detailsPlayability
- String Excitation
- Three independent excitation sources can be used simultaneously: Pluck, Noise and PCM; 16 preset “pluck” types, with modulatable width and randomization; Noise generator with saturation and dedicated low pass filter
- 88 Key
- 56.57” x 15.24” x 5.47”
- Physically Modeled String
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups and more (most string parameters can be controlled in real time)
- 73 Key
- 48.31” x 15.20” x 4.57”
- 61 Key
- 41.81” x 15.20” x 4.57”
- Keyboard
- Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
1 detailsBody & build
- Color
- Black
8 detailsConnections & power
- MIDI
- In, Out, Thru
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Input Impedance
- 10 kohm
- Output Impedance
- 33 ohm
- USB
- USB A (TYPE A) : For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage), USB B (TYPE B) : MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output *2 USB high-speed ports (supports 480Mbps)
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects; modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Power Consumption
- 40W
- Power Supply
- AC power supply terminal, Power switch
3 detailsSize & weight
- Dimensions
- (WxDxH):
- Weight
- 88
- Bit Depth Sampling Frequency
- RAM - 16-bit/48kHz stereo/mono sampling, DISK - 16- or 24-bit/48kHz
93 detailsOther
- 1
- In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced. *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine. *3: 100 dual-stereo notes (equivalent to 400 mono voices)
- 4
- The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”)
- Esp Section
- 24dB/octave Low Cut and High Cut filters, available per voice
- Esp External Signal Processor
- Use incoming audio as a trigger and/or CV source.
- Mod 7
- 52 voices
- MIDI Tracks
- 16 tracks plus the master track, 697 preset/100 user patterns (per song), 18 preset/16 user template songs
- Number of Songs
- 200
- Resolution
- 1/480
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Sub Oscillator
- Off, 1 octave below, 2 octaves below
- Maximum Level
- MIC -10dBu
- Pcm Ram Capacity
- Approx. 2GB *4
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16-bit/24-bit
- Oscillators
- Ultralow-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Str 1
- 40 voices
- Sampling Time
- RAM - depends on the amount of available PCM RAM, DISK - maximum 80 min. stereo (879MB: 16-bit)
- Al 1
- 80 voices
- System
- Open Sampling System (resampling, In-Track sampling)
- Driver
- Per-voice non-linear driver and low boost circuit
- Excitation Filter
- Dedicated 2-pole multimode filter for shaping the string excitation; filter can be enabled/disabled separately for each excitation source; Low Pass, High Pass, Band Pass and Band Reject modes
- Number of Timbres Master Keyboard Functionality
- 16 Maximum
- Piano Type
- 128 (With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.)
- Modulation Vca
- Control Voltage In, Signal In, Signal Out
- Vca
- External Initial Gain Control In, VCA In
- Vcf
- External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Exs311
- Background Loops
- Sample and Hold
- Clock Trigger In, Sample Signal In, S/H Out
- Exs310
- World Essence
- Exs313
- Found Percussions
- Exs312
- SFX & Hits
- Synthesis Types
- 9
- Exs314
- Expansion Drums
- Vco
- Saw, Pulse, PWM
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Accessories
- AC cord, Quick Start Guide
- Dynamic Range
- 95dB (typical)
- Maximum Single File Recording Time Mono
- 80 minutes
- Exs306
- Vintage Keyboards 2
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Exs305
- Historical Keyboards
- Exs308
- Guitar Collection
- Exs307
- Strings & Synths
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Exs309
- Bass Collection
- Exs302
- Italian F Piano
- Polysixex
- 180 voices
- Exs301
- German 2 D Piano
- Noise Generator
- Pink Noise Out, White Noise Out
- Exs304
- Prepared Piano
- Exs303
- Japanese Upright U Piano
- Waveshaping Vpm Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1
- Esp
- Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
- Modulation
- Dynamic Modulation and Common LFO
- Rppr Realtime Pattern Play and Record
- 1 Pattern set per song
- Tempo
- 40.00–300.00 (1/100 BPM resolution)
- Nominal Level
- MIC –22dBu
- Split
- Upper, Lower (even in EX mode)
- Automation
- Volume, Pan, EQ, and Send1/2; 10,000 regions (max.), Event Anchors, BPM Adjust
- Mg
- Triangle Out, Rectangle Out
- Pcm Oscillator
- KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode; supports Virtual Memory
- Hd 1
- 140 voices
- Others
- EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Eg
- EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
- S N
- 95dB (typical)
- Vco Vcf
- Total External Modulation In
- Ex Mode
- Four additional, user-specified drawbars and expanded percussion
- Format
- KORG (NAUTILUS, KRONOS, OASYS) format, SMF formats 0 and 1
- Electric Piano Model Types
- Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Ep 1
- 104 voices
- Crosstalk
- 95dB, at 1kHz (typical)
- Wave Sequences
- 598 user memory, 377 preload, support for stereo multisamples, synchronization of individual notes and tempo-based settings
- Patch Panel
- Patchable audio and modulation, at audio rates
- Timbre EQ
- One 3-band EQ for each timbre/track
- Preset Pcm
- 496MB/Disk 2.3GB (ROM 1,771 Multi samples, 3,955 Drum samples
- USB B
- 24-bit, Sample Rate: 48kHz, 2 channels
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF and WAVE formats
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode and Latch
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- Cx 3
- 200 voices
- Thd N
- 20Hz–22kHz, 0.01%, 10 kohm load (typical)
- Sgx 2
- 100 voices *3
- Disk Drives
- 60GB SSD (2.5”)
- Mds Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
- Structure
- Single - only OSC1, Double: OSC1 and OSC2, Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc., Drums - one drum kit, Double Drums: Two drum kits
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track
- Editing
- Time Stretch, Time Slice, Crossfade Loop and other standard editing features
- Multi Filter Mode Filter A Only
- Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects
- 6 Vpm Waveshaper Ring Modulation Oscillators
- Phase and modulatable pitch per oscillator; 101 Waveshaper tables, plus modulatable Drive and Offset; use as oscillators, or as Waveshapers or Ring Modulators for other signals
- Ms 20ex
- 40 voices
