Detail 01
Carbon fiber interwoven with hollow synthetic fiber
The hollow fiber keeps it light, the carbon adds stiffness — structure the cut alone wouldn't provide.

Independent shopping perspective
A tenor reed built from carbon fiber woven over hollow synthetic fiber, cut soft. For players who want quick response and no cane maintenance.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The hollow fiber keeps it light, the carbon adds stiffness — structure the cut alone wouldn't provide.
Detail 02
Low resistance. Notes speak quickly and quietly, but there's less headroom once you push volume.
Detail 03
One reed per purchase. No box to sort through, and nothing gets discarded as a dud.
Detail 04
No soaking, no break-in, no rotating three reeds to keep them alive between sessions.
Detail 05
Dimensioned for tenor mouthpieces. It won't seal on an alto or soprano table.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
There's no set number. It doesn't break down from moisture cycles the way cane does, so replace it when the tip chips or the response goes dull.
No. It isn't cane, so it needs no soaking or break-in. Mount it in the ligature and play.
No. This is a tenor cut — wider and longer than an alto reed. It won't seat correctly on an alto mouthpiece.
If you're new, coming back after a break, or playing a fairly open mouthpiece, soft is a reasonable start. If you already play hard reeds comfortably, size up.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.