Detail 01
Two-tone head
The two striking faces differ in hardness. Rotating the mallet in your hand changes attack brightness without changing mallets.

Independent shopping perspective
A large two-tone chime mallet. For percussionists who need both a soft and a hard attack on tubular bells without swapping mallets mid-part.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The two striking faces differ in hardness. Rotating the mallet in your hand changes attack brightness without changing mallets.
Detail 02
More mass behind the stroke, so it favors full-volume chime hits over delicate ones.
Detail 03
Chimes are struck on the metal top cap, so the head is built to take repeated metal contact.
Detail 04
Normal for chimes — one hand strikes while the other hand or the damper pedal controls sustain.
Detail 05
One mallet covers the part, so the cost is closer to a pair of keyboard mallets in practice.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Chime mallets are much heavier and harder than keyboard mallets. You'd risk damaging bars and get a dead, clacky tone. Use yarn or cord mallets there.
The head has two striking surfaces of different hardness. Flip the mallet to move from a rounder, softer attack to a brighter, more articulate one.
Large suits full-volume chime writing in band and orchestra. If your parts sit quiet or you play a smaller chime set, a lighter mallet is easier to control.
Most chime parts use one mallet while the other hand or the foot pedal handles damping. A second is useful as a backup or for two-handed passages.