Detail 01
9-inch size
A larger triangle than typical student models. More mass means more volume and a longer ring.
Product detailSKU #1274115046955
Grover ProSuper-Overtone Triangle 9 in.
Independent shopping perspective
The Korena take
A 9-inch professional triangle. For orchestral, band and pit percussionists who need a bright, long-sustaining voice that carries over an ensemble.
Strong match
Who this is for
- Orchestral and wind ensemble parts that need to cut through
- Pit work where the triangle has to reach the back row
- Percussionists replacing a dull student-grade triangle
Consider the trade-offs
When to look elsewhere
- Players who need a quiet, tightly controlled triangle for close recording
- Casual or classroom use where a basic triangle does the job
- Anyone who wants a lower, darker fundamental
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
Overtone-focused design
The ring is built around upper partials rather than a single clear pitch, so it blends instead of clashing with the key.
Detail 03
Long sustain
You will be damping with your hand more than you would on a small triangle. Plan the dampening into your part.
Detail 04
Professional grade
Consistent response stroke to stroke — the difference from a cheap triangle is most obvious at soft dynamics.
Detail 05
$95
Above student pricing. You are paying for the ring and the consistency, not for extras in the box.
Final check
Know before you order
- 01No beater included — beaters are sold separately
- 02No clip or holder included; you need both to mount it
- 03A 9-inch triangle rings long; you need room to damp it
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01Does it come with a beater?
No. The triangle is sold on its own. You will need beaters and a clip or holder to play it.
02Is 9 inches big for a triangle?
It is on the larger end. More metal means more volume and a longer sustain, which is why it works in ensemble settings.
03Will this be too loud for a small group?
It can be. Volume comes down to beater choice and stroke, so a thin beater and a light touch will scale it down.
04What does Super-Overtone mean here?
It refers to a sound built around upper partials rather than one dominant pitch, so the triangle blends with whatever key the ensemble is in.
