Detail 01
Pearl dot
A small inlaid dot on each head. It catches light against a dark bridge; the plain no-dot version does not.

Independent shopping perspective
Tusq bridge pins in white with a pearl dot. For replacing worn plastic pins on a steel-string acoustic and keeping the traditional look.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
A small inlaid dot on each head. It catches light against a dark bridge; the plain no-dot version does not.
Detail 02
The traditional pairing with a rosewood or ebony bridge. On a light bridge the contrast mostly disappears.
Detail 03
Denser than the plastic pins most guitars ship with, so the slot edge holds up to repeated restringing.
Detail 04
Cut for standard steel-string bridges. Taper still varies enough between builders that a test fit matters.
Detail 05
The difference is the pearl dot, not the material. Same Tusq either way.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
White Tusq sits close to typical light nut and saddle material. On an older guitar, yellowed plastic parts will read warmer than fresh white pins.
Most standard steel-string bridges, yes. Hole diameter and taper vary by builder, so pull one factory pin and compare before restringing.
Any difference is small next to strings, saddle, and setup. Choose these for durability and the look at the bridge.
Same Tusq material. These are white with a pearl dot for a traditional contrasting bridge; the black no-dot set disappears into a dark bridge instead.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.