Detail 01
Ribbon mode raises mic input to 20k ohms
Ribbons sound fuller and less loaded down. Most preamps sit far lower and thin them out.

Independent shopping perspective
A two-channel-quality single-channel mic preamp with instrument input, built for clean, uncolored capture. For engineers who want the source, not a character stamp.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Ribbons sound fuller and less loaded down. Most preamps sit far lower and thin them out.
Detail 02
High enough to let condensers and dynamics run open without the preamp damping the mic's response.
Detail 03
Passive guitar and bass pickups keep their top end. No treble loss like a low-impedance line input causes.
Detail 04
Huge headroom before distortion. Loud transients from snare or slap bass will not clip the output stage.
Detail 05
Flat well past hearing range, so nothing in the audible band is being shaped by the preamp.
Detail 06
Set gain for the mic, then match your converter's input level separately without re-gaining the front end.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is a mic preamp with a dedicated ribbon mode, so it is built to run condensers and ribbons. Confirm the phantom switch position before connecting a ribbon.
Yes. The Hi-Z input takes instrument level with -10 to 45dB of gain and 1M ohm unbalanced impedance, which suits passive pickups.
It will not add character. It gives clean, quiet gain, so a mic's real tone comes through more clearly rather than being flattered.
Green lights at -14dBu and red at +16dBu, giving you a signal-present indication and a warning well before the +25dBu clipping point.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.