Detail 01
Thin gauge
Flexes noticeably on strumming. Softer attack, more surface noise, less control on single notes.

Independent shopping perspective
Twelve thin celluloid picks in assorted colors. A cheap way to keep picks in every case, pocket and pedalboard.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Flexes noticeably on strumming. Softer attack, more surface noise, less control on single notes.
Detail 02
Slick, glossy surface with a classic bright snap. Can slip in sweaty hands more than textured materials.
Detail 03
Enough to stash picks in the case, gig bag, car and mic stand and still have some left.
Detail 04
Colors are mixed, not chosen. Handy for spotting a dropped pick on a dark stage.
Detail 05
The common teardrop with a rounded tip — the shape most players already hold without thinking.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Thin sits at the flexible end of the range — it bends under normal strumming pressure. If you want stiffness for picking single notes, choose a heavier gauge.
No. The dozen comes as a mixed assortment.
They work, but thin picks suit strumming more than lead. For riffing and solos on electric, most players go medium or heavier.
Thin celluloid is too flexible for bass strings. It will bend rather than drive the string. Use a heavy pick instead.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.