Detail 01
Analog circuit, not digital modeling
Response follows your picking dynamics directly. No presets, no menus — you dial it with sliders each time.

Independent shopping perspective
Analog bass synthesizer pedal from Electro-Harmonix. For bassists who want octave, sub-octave and filter-sweep synth textures rather than a straight overdrive or chorus.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Response follows your picking dynamics directly. No presets, no menus — you dial it with sliders each time.
Detail 02
You can keep the fundamental bass note under the synth voice, so the low end stays present in a mix.
Detail 03
Adds a note above and below what you play, thickening a line without a second player.
Detail 04
Filter sweep triggers off how hard you play, so attack control becomes part of the sound.
Detail 05
Fast visual reference to your settings, but easy to knock out of position in a gig bag.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, though analog octave and filter circuits generally track low B less reliably than notes higher on the neck. Test your lowest register before committing to it live.
It will pass signal, but the voicing and filter range are set up for bass frequencies. Expect thinner, less useful results than on a bass.
Yes. The dry level is its own control, so you can keep your natural bass tone underneath the synth voices.
The Bassballs is an envelope filter only. The Bass MicroSynth adds octave, sub-octave and separate voice mixing, so it builds a full synth sound rather than sweeping your existing one.